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Princess Diana Musical Diana Sets Its Broadway Debut

Princess Diana is made a beeline for Broadway. After an acclaimed keep running at the La Jolla Playhouse in San Diego, the musical Diana will formally open at Broadway’s Longacre Theater on March 31, 2020, with exhibitions set to start March 2. Jeanna de Waal will make the change to Broadway as Diana, with Roe Hartrampf additionally returning as Prince Charles, Erin Davie as Camilla Parker Bowles, and Judy Kaye as Queen Elizabeth II.

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“To breath life into Diana in front of an audience is clearly a tremendous benefit,” de Waal said in a video meeting distributed when her throwing was first declared a year ago. “I feel overwhelmed by the possibility, yet I expectation individuals who didn’t think about her and didn’t know about her voyage leave the performance center with a thought of what she accomplished for the world. She made everybody feel exceptional, from the most elevated individual to the least positioning individual, and I think we need to commend her.”

The musical narratives Diana’s broadly violent association with Charles, his undertaking with Camilla, and her gigantic worldwide notoriety before her demise in 1997. There’s once in a while been a period over the most recent 30 years when Diana and her memory haven’t been in the spotlight, yet now appears to be an especially well-suited minute, with Meghan Markle having landed in the imperial family as considerably a greater amount of an untouchable than Diana was in 1980, and Prince Harry much of the time referencing his mom as motivation for his own altruistic work. What’s more, with the third period of The Crown showing up this tumble to fuel considerably more free for all—however undoubtedly not getting to the Diana section of the story—what better approach to bounce ahead a piece than to get Diana on Broadway?

Diana is coordinated by Christopher Ashley, who won a Tony Award for Come From Away, with a book and music by Memphis’ Joe DiPietro and David Bryan. Tickets4musical is the only website guaranteeing a safe transaction and timely delivery of your Diana The Musical Tickets.

Addams Family’ musical at MHS

A marriage joins two individuals and two families, however imagine a scenario in which one family is genuinely ordinary and the other is, well, idiosyncratic. State, for instance, they’re “frightening and silly, baffling and creepy, and altogether ooky.”

Adam Family

This is the issue at the core of “The Addams Family: A New Musical,” the Tony Award-winning melodic parody to be displayed by Milton High School. Exhibitions will be on Wednesday, Oct. 30 at 7 p.m., Saturday, Nov. 2 at 2 and 7 p.m., and Sunday, Nov. 3 at 2 the school’s Charles C. Winchester Auditorium on 25 Gile Road. Tickets are $12.

Little girl Wednesday Addams has become hopelessly enamored with Lucas Beineke, whom she expects to wed, yet Lucas and his good guardians, Mal and Alice, may not be prepared for the Addams family: father Gomez, a relative of conquistadors with a propensity for swordplay; dark clad goth mother Morticia; brother Pugsley, whose affection for his sister is just insignificantly more noteworthy than his craving to be tormented; Uncle Fester, a man youngster pitifully infatuated with the moon; the centenarian Grandma; and Lurch, their reality tired zombie head servant who conveys in groans and moans.

While Wednesday would like to persuade her family to be typical for only one night so she can protect her future with Lucas, nothing is ever that simple, particularly for the Addams family. A lost mixture, a scarcely stayed discreet, and the disclosure of up to this time implicit certainties by the two families guarantee that the wildly entertaining night twists crazy such that will perpetually change both the Beinekes and the Addams family.

With a melodic score that shifts from flamenco to vaudeville to jazz, swing, ditties, and contemporary pop, “The Addams Family: A New Musical” is an absolute necessity see occasion for the Halloween season.

Cirque du Soleil’s ‘Luzia’ celebrates the beauty of Mexico

As the young lady dressed as a butterfly blasts onto the stage running at full power, pants can be heard in the group of spectators and many telephones show up as individuals attempt to catch photographs and recordings.

Cirque du Soleil’s “Luzia” affects individuals, said Kelly McDonald, a stunt-devil and lead craftsman in the show, which will be in Hartford until July 21.

Cirque du Soleil’s ‘Luzia’

“The group of spectators dependably has a positive response. We can see the eyes of every individual in the crowd. It is exceptionally cozy. Despite the fact that there are many individuals we can see that we contact something other than what’s expected in every individual,” she said.

The show is a tribute to Mexico, mirroring the music, history, nourishment and conventions of the nation. Albeit all of Cirque du Soleil’s exhibitions are brilliant, gymnastic perfect works of art, “Luzia” is extraordinary on the grounds that it is the primary demonstrate that consolidates water.

“We have a water framework that enables our tumblers to play out their traps in the water,” said Charlie Wagner, marketing expert for “Luzia.”

Wagner said it was difficult to consolidate the water.

“It was a test since water had never been utilized in a Cirque du Soleil show and we needed to figure out how to do it in a manner that was safe for our specialists,” she said.

“Luzia” joins the Spanish words for light and downpour. Both are a piece of the history and imagery of Mexico.

“The downpour is extremely noteworthy in Mexican culture. Contingent upon what part of Mexico you are from, there are particular kinds of downpour, be it tempests or haze or downpour and wind, that you relate to,” said Wagner.

McDonald was a tumbler as a youngster, and in the wake of moving on from school she chose to evaluate Cirque du Soleil for a year while she searched for a perpetual activity. Following eight years at a show in Las Vegas, she chose to proceed with her vocation with “Luzia.”

McDonald spends significant time in tumbling, trapeze and adagio.

“I like adagio the most since it’s a moderate move that consolidates tumbling, yet it likewise has a great deal of feeling,” she said.

There are 46 specialists from 17 nationalities and in excess of 20 nations spoke to in the show, yet altogether there are 125 individuals including artists, gourmet experts, physical advisors and coaches who travel with the craftsmen.

There are a few Latin specialists from Venezuela, Colombia, Puerto Rico and Mexico, including the show’s lead vocalist, Majo Cornejo, who is Mexican, and piano player Felipe Saray, who is Colombian and McDonald’s significant other.

“We met attempting to plan ‘Luzia.’ Here we are largely similar to a family and we deal with one another and we adore one another,” McDonald said.

She said that being a piece of a demonstrate that speaks to Latin culture has been extremely extraordinary to her. McDonald talks familiar Spanish.

“For me, I am extremely pleased to be a piece of ‘Luzia’ on the grounds that we can speak to everything that is wonderful and everything that possibly numerous individuals don’t think about the nation and the way of life,” McDonald said. “We are craftsmen from everywhere throughout the world speaking to Mexico and we are accomplishing something so excellent and enchanted and we can do it together.”

Cirque du Soleil’s ‘Luzia’ Tickets

After its keep running in Hartford, “Luzia” will be exhibited in Canada, England and Russia.

“Individuals love this show. As I would like to think this is one of Cirque’s most amazing shows, particularly for the water component, “Wagner said. “There are minutes that make you giggle and minutes that make you cry and others in which you can ponder the excellence of each demonstration.”

Spokane Civic Theatre closes main stage season on a high note with ‘Young Frankenstein’

“Youthful Frankenstein,” the musical, depends on the motion picture of a similar name, which was coordinated by Mel Brooks and composed by Brooks and Gene Wilder, who featured in the film.

A farce of blood and gore movies, it’s nothing unexpected that the film is very senseless and over the top. Fortunately for fans, and for the individuals who haven’t seen the motion picture, so is the melodic, which opened at Spokane Civic Theater.

The melodic pursues Dr. Frederick Frankenstein (Henry McNulty), the grandson of the notorious Dr. Victor von Frankenstein (Doug Dawson), after he acquires the family domain in Transylvania.

Frankenstein is articulated “Fronk-en-steen,” as you may already know.

Once at the home, Frankenstein experiences a hunchbacked sidekick named Igor (Chris Hansen) and a warbling lab associate named Inga (Aubree Peterson).

With their assistance, Frankenstein inevitably winds up endeavoring to complete what his granddad began and makes a beast (Drake Haren) of his own.

Obviously, the beast get away, subsequently commencing a wild chain of occasions.

“Youthful Frankenstein” is coordinated by Jake Schaefer, right hand coordinated by Sarah Dahmen, music coordinated by McNulty, aide music coordinated by Ashley Pyle and arranged via Cara Cooley.

The melodic highlights a book by Brooks and Thomas Meehan and music and verses by Brooks.

McNulty was pitch-immaculate as Frankenstein, particularly in “The Brain” and “Life, Life.”

It was extremely enjoyable to watch McNulty take the character from one who opposes his family exchange to one who gradually turns out to be similarly as crazy about making a beast as his granddad once might have been.

Haren, in his Civic presentation, merits a ton of props for his job as the beast, for strolling and moving in stage shoes and for injecting a for all intents and purposes non-verbal character with so much articulation and feeling.

Haren and McNulty were a triumphant pair in “Puttin’ on the Ritz.”

So as well, were McNulty and Hansen, as Igor, all through the show. The pair were particularly silly in “Together Again.”

Hansen made a fabulous Igor and was in charge of a great deal of the chuckling from the crowd, particularly when disclosing to Frankenstein that he had presented to him the mind of “Abby Normal.”

Having as of late considered Peterson to be the simple Rose in Civic’s creation of “The Flick,” it was extremely enjoyable to consider her to be Inga, a blameless, warbling lab colleague.

Her huge numbers, “Come in the Hay” and “Tune in to Your Heart,” were champions of the night.

I was likewise glad to see Rebecca Craven, who played an underhanded Miss Andrew in Civic’s “Mary Poppins,” as the maid Frau Blücher, who helps Frankenstein in breathing life into his beast as she accomplished for his granddad.

Her presentation of “He Vas My Boyfriend” and scenes with Frankenstein’s fiancee Elizabeth Benning were heaps of enjoyable to watch.

Coty, as far as concerns her, made for an incredible Elizabeth, a lady who wants closeness yet barely enables Frankenstein to get close to her (“Please Don’t Touch Me”).

“Youthful Frankenstein” flaunted an extremely solid group, driven by Rob Reiss, in his Civic introduction, as Inspector Hans Kemp.

Opening number “The Happiest Town,” “Kindly Don’t Touch Me,” “Join the Family Business” and “Transylvania Mania” were fabulous gathering numbers. Watch out for Dominick Betts toward the finish of “Most joyful” as he moves offstage.

I’ve generally been a devotee of grand and lighting architect David Baker’s work, and “Youthful Frankenstein” was the same. Scenes in the domain and the research facility were wonderfully done (picturesque development by Sam Holland and Dennis Pham), and the set piece that progressed from a ship to a train was extremely noteworthy.

Shutting its customary fundamental stage season with “Youthful Frankenstein” was a truly brilliant decision by Civic. It’s a fun and interesting melodic with a cast sufficiently gifted to do the exemplary equity.

Aaron Sorkin’s To Kill a Mockingbird Will Launch a National Touring Production in August 2020

Aaron Sorkin’s acclaimed adjustment of Harper Lee’s To Kill a Mockingbird, presently playing Broadway’s Shubert Theater, will dispatch an across the nation national visit in August 2020. The voyaging creation will commence at the John F. Kennedy Center for the Performing Arts in Washington, D.C., as a component of the Center’s 2019– 2020 season. Extra urban communities, just as throwing, for the Mockingbird visit will be declared in the coming months.

To Kill a Mockingbird Tickets

Created by Scott Rudin and coordinated by Bartlett Sher, the world debut generation of To Kill a Mockingbird keeps on breaking record after record in the cinematic world, including its ongoing single-week record for the most noteworthy earning American play in Broadway history. Since exhibitions started on November 1, 2018, Mockingbird has not played to an unfilled seat, with 100% limit (or more prominent) for each execution.

Set in Alabama in 1934, Harper Lee’s suffering story of racial bad form and youth guiltlessness fixates on a standout amongst the most adored characters in American writing, the community legal advisor Atticus Finch. The cast of characters incorporates Atticus’ girl Scout, her sibling Jem, their maid and overseer, Calpurnia, their meeting companion Dill, a puzzling neighbor, the isolated Arthur “Boo” Radley, and the other permanent inhabitants of Maycomb, Alabama from the novel.

The cast of Broadway’s To Kill a Mockingbird incorporates Jeff Daniels as Atticus Finch, Celia Keenan-Bolger as Scout, Will Pullen as Jem, Gideon Glick as Dill, Danny Wolohan as Arthur “Boo” Radley, Frederick Weller as Bob Ewell, Gbenga Akinnagbe as Tom Robinson, Stark Sands as Horace Gilmer, Dakin Matthews as Judge Taylor, Erin Wilhelmi as Mayella Ewell and LaTanya Richardson Jackson as Calpurnia. Get Cheap To Kill a Mockingbird Tickets from Tickets4Musical online.

‘Wicked the Musical’ Review

There are more than one historical moments in musical theater where through their explicit talents and skills a production has lasted more than decades surviving through each obstacle and critic set in their way. One of those rebellious yet outstanding musical is the “Wicked”. Since the time it has opened in New York in October 2003, it has mesmerized its audience with its brilliance

The production has witnessed more than 8.8 million of people, who found in their heart to go and watch the show. And ever since then, you can see a theater filled with audience from young to old where there “Wicked” is playing. A Story adopted from a 115-year-old Children’s Novel by Gregory Maguire named “Wicked: The Life and Times of the Wicked Witch of the West”. It is an untold story of the wizards of the Oz and is amongst the highest most grossing productions of all time.

The Production recently found its way to Midtown-Manhattan and simply blown away the audience by its magnificence. Rachel Tucker, taking on the role of green-skinned Elphaba, a.k.a. the Wicked Witch of the West that she has been successfully portraying for almost 3 years on the West End enthralled the audience with her spellbinding voice by her opening number “The Wizard and I” at the Gershwin Theatre. Wicked tickets sell very fast for Gershwin theatre. Collection of cheap Wicked musical tickets are available now. You can check map and select your seats before you buy.

Kara Lindsay, portraying Glinda the Good Witch, alongside her brilliantly displayed the true character of a frivolous yet friendly blond, showing her talent for singing and making her audience love her all the more with her comedy skills.

Other mentionable acts include Michele Lee as the treacherous Madame Morrible and Arielle Jacobs as Nessarose, Jacobs certainly brings the charm to the show.

The best of choreography by James Lynn Abbott comes from a very stunningly extracted piece of ballet that appears without a notice during the lively song “Dancing through Life.” While Stephen Schwartz show offs his talent with classical scores that provide a wonderful platform for the actors to perform on, especially the mesmerizing tones of “As Long as You’re Mine” and the insinuation of lightheartedness in the rhythms of “What is this Feeling.” No doubt he is one of the most prominent composers in history.

The plot summary for “Wicked” on Wikipedia exceeds 2100 words, this not only hints us on the fan base of the show but also surfaces the fact that this musical has a lot going on in it. Wicked is a romantic comedy with traces of political issues as well as a piece dedicated to animal rights, (with talking goat and flying monkeys and all), drawbacks of getting what you want, a caution alert to setting limits to friendship and a tribute to classical film.
Life has never been kind to green-skinned creatures in mythical stories, take Shrek or hulk for instance. Wicked is truly a unique story about two distinct and dissimilar women attached to each 0other with an unexplained emotional bond. Eugene Lee’s mastery in production has tide this musical into one through all thick and thin. The plot might confuse you at first but as you keep on watching it becomes clearer and clearer. To be precise the show is about learning to live with your choices. Once a step has been taken you can’t move clocks back and you’ll have to move on whether you felt pride or regret on your doings.

Chicago The Musical: A Review

Though it’s been 20 years since Chicago’s first cast set foot on the stage it still is booming and brimming the Broadway Musical Theaters. The story is about all the crimes rampant in our societies and I mean literally all of them you name them. I once had and experience of watching the show live and it just stole my heart.

The musical is an amazing mix of tragedy and satire and I probably loved by many. In the history of longest-running Broadway Musicals Chicago marks the second rank only second to The Phantom of the Opera.

Chicago has lived through in this big competitive world of Broadway in these 20 years holding its head high with class just like one of the contemplative songs in the show where Velma and Mama Morton talks about what has happened to the class. At that time the thought that erupts in mind well why the show has got it in plenty.

Chicago is a living proof that there is no need for over-the-top staging and various consume changings are not the aspects that makes a show a grand hit. It’s the acts you put together and how you put it together how you deliver your message to the audience is what matters. And Chicago with John Kander & Fred Ebb supervision and magnificent choreography by Bob Fosse have done a pretty good job I’ll say. And another plus point are William Ivey’s tightly fitted and habitually transparent all black costumes. That from where the show draws all that sensuality.

Chicago The Musical Tickets

With their live band on the stage the show must have been a revolutionary musical back in its debut staging on 14th November 1996. Chicago the musical tickets sell very fast. Get them from Tickets4musical in advance if you want to watch it.

You forget how ground-breaking this revival must have been, when it officially opened on Broadway on 14th November 1996. Moments of breaking the fourth wall to introduce the musical numbers and having the conductor of the band interact with the actors on stage, still set Chicago apart from its predecessors, and who wouldn’t want to call for their “Exit Music” each time they left the room?

Chicago is equally as famous for its revolving casting door, which has seen both Broadway veterans and celebrities from the world of music, TV and film take to the stage and sink their teeth into those coveted principal roles for special limited engagements. Some of the company’s principals have been with the show for quite some time and continue to delight with every performance. You can get Chicago the musical tickets cheap from

Chicago The Musical Broadway

Williams’ brassy and sultry Mama Morton, Raymond Bokhour’s ever-loveable Amos and R. Lowe’s skilled, gender-bending performance as Mary Sunshine are always crowd-pleasing and essential parts of the production, offering the degree of stability that takes it smoothly through its many cast changes. Although some would argue that Chicago has been reduced to a star vehicle for celebrities wishing to dip their toes into the world of Broadway, I see it as a living, breathing piece of musical theatre history, which rightfully remains at the Ambassador Theatre and reminds us that all you need is class and, of course, all that Jazz!

The International Composers Festival 2018 Scheduled for 21st to 23rd of September

The International Composers Festival returns for its fourth year to Hastings and Bexhill on the sea, East Sussex, UK on September 21st to 23rd this year. The Festival is an exceptional mix of most trending and one-of-a-kind performances that are seen nowhere else in the world.

It is a rare opportunity to listen to some of the most exciting and stirring classical melodies that are being written today. Enjoy three days comprising of four concerts including full of famous orchestral scores, films, gaming and television themes, choral and chamber music. The International Composers Festival is a one of a kind festival established and created by the successful concert pianist, conductor and composer Polo Piatti.

This Three-Day even conveys some of the finest classical talents to Hastings offering both well established and famous composers who have been successfully making their career to new and upcoming artists with fresh talent in their pockets looking for someplace in the modern classical music domain.

The Festival will run four concerts on three days event starting from Friday, 21st to Sunday, 23rd of September 2018. The Four split concerts include a Grand Opening Concert, a Chamber Concert, a Film Concert and concluding with a premiere performance of The Crane’s Wife ballet in a Family Concert.

Composers also submit their work to get approval by the Festival to be able to perform in on the three in-house composites that include, the International Festival Symphony Orchestra, the Children’s Festival Choir, and the International Festival Chorus.

The International Composers Festival is a festival for everyone. The festival comprises of the internationally famous professional players together with countless local musicians and world-class soloist performing unique and thrilling mixes bridging yearn full sounds to the concerts. The International Composers Festival is the only festival that gets together well-known international composers and musicians bringing along their most touching and widespread works live.
Here is a list of Composers and other music artists that are expected to perform live at the International Composers Festival 2018.

  • Sergio Puccini (21st Sept.)
  • John Andrews (21st-23rd Sept.)
  • Ash Madni (21st & 23rd Sept.)
  • Nobuya Monta (23rd Sept.)
  • Dominik Scherrer (22nd Sept.)
  • Sarah Thurlow (21st Sept.)
  • Oliver Poole (22nd & 23rd Sept.)
  • Carlos Salomon (22nd & 23rd Sept.)
  • Paul Lewis (21st & 22nd Sept.)
  • Katerina Mina (21st & 22nd Sept.)
  • Lorenzo D’Antò (22nd Sept.)
  • Melody Woodham (21st Sept.)
  • Simon Morgan
  • Niconomiel Dance CO. (23rd Sept.)
  • Ian Livingstone (22nd Sept.)
  • Rosemary Duxbury (22nd Sept.)
  • Olajide Paris (22nd Sept.)
  • Penny Loosemore (22nd Sept.)
  • Andy Gill (21st Sept.)
  • Brighton Film Quartet (22nd Sept.)
  • Jane Gordon (21st – 23rd Sept.)
  • Mayu Uesugi (23rd Sept.)
  • Justin Pearson (21st – 23rd Sept.)
  • Sunny Li (22nd & 23rd Sept.)
  • Ryoki Midorima (23rd Sept,)
  • Taja & Anna Astar (22nd Sept.)
  • Chris Nicolaids (22nd Sept.)
  • Michael Heath (21st Sept.)
  • Emili Rachemanne (22nd Sept.)
  • Antonio D’anto (22nd Sept.)
  • Matthew Curtis (21st Sept.)
  • Noelia Escalzo (21st Sept.)
  • Garry Judd (22nd Sept.)
  • Philip Godfrey (22nd Sept.)
  • Tasoulla Christou (22nd Sept.)
  • Kevin Riley (21st-22nd Sept.)
  • Julian Marczak (23rd Sept.)
  • Fiona Bennett (22nd Sept.)
  • Alex Marrupe (22nd Sept.)
  • Alexei Knupffer (22nd Sept.)
  • Diane Wilks (22nd Sept.)
  • Thomas Hewitt Jones (21st Sept.)
  • Eastbourne Academy Of Dancing
  • Debbie Wiseman (23rd Sept.)
  • Jacopo Croci (21st Sept.)
  • Julian Norridge (21st-23rd Sept.)
  • International Festival Orchestra
  • Diana Freedman School of Dance
  • Pedro Vilarroig (21st Sept.)
  • John Williams
  • Jonahan Bruce (22nd Sept.)
  • Polo Piatti (21st-23rd Sept.)
  • Simon Proctor (23rd Sept.)
  • Chris Lacey (22nd Sept.)
  • Louise Denny (21st Sept.)
  • Patrick Doyle (22nd. Sept.)
  • Katie Molloy (21st Sept.)

Festival No.6—2018 Lineup Announced…

This Year’s Festival NO.6 is one of the rare chances you’ll see to enjoy the festival unlike other. The organizers have announced this year’s full line up and so much more. This year it is the Friendly Fires’ first festival appearance after full five years before the band decided to take a break. If their past performances are any inspiration I’d say this year’s festival is going to be one worth going to.

Festival NO.6 is the most unique experience of UK. The Festival is located at the coast of Portmeirion, one of the finest locations you would not want to miss.  Festival NO.6 has won multiple awards for their music, art, and cultural activities. The festival features modern and new artists. The main stage is the Mediterranean inspired and hosts a fantasy village surrounded by lots and lots of water, mountains, and woodlands. The festival exhibits a fantasy world in all manner.

This seventh edition of the festival is joined by top-list of artists including The The, the legend of indie-pop Franz Ferdinand, Friendly Fires are back after their long break from music, other than these the famous singer and songwriter Jessie Ware will also be joining this year along with The Charlatans, Everything Everything, Anna Calvi, Gaz Coombes, Django Django, Ride, The Horrors and a special performance from Manchester Camerata Orchestra who’ll be performing Motown and Northern Soul sensations and many more.

The 4 time Grammy nominee Kenny Dope, Erol Alkan, Honey Dijon, Hot Chip, Roy Davis Jr. and Megamix are just a few of great artists topped in DJ lineup.

Art and Culture is no exception in fun and blasting time at the Festival NO.6. Headlining the lineup is the legendary singer of Madness, Suggs who’ll be performing his brand new one-man show ‘What a King Cnut’, also appearing is Will Self, Jeremy Deller, Andrew Weatherall, Edith Bowman along with others.

Hopefully, you are not on prescription on any type of food because Festival NO.6 is bringing a whole lot of variety of food and Drinks to this year’s banquet in the magnificent Portmeirion hotel. Get ready for a dining experience hosted by a personalized line-up of Michelin-starred and innovative chefs

Following is the lineup for the Dining Hosts:



  • Friday -Aiden Byrne- Aiden will be serving a signature menu specifically designed in a manner to boast his team’s matchless skills with some of the best food available in the UK.
  • On Saturday -Callum Franklin- Callum is an expert at cooking new and innovated British dishes combining traditional styles with new flavors.
  • For Sunday- local food hero and Michelin Star holder Gareth Ward –Gareth will be presenting a menu full of local food with an eastern twist.




Global Street Food village will be offering food and drink at Festival NO.6 pulled together by 40+ food vendors providing the actual village feel by serving food in wooden chalets.




The handpicked independent best food producers will provide local and organic produce serving the most exciting and fabulous food and drink menu ever seen at any festival


The festival ought to be a final before a break to improve the format as the festival organization has announced they found it unsuited. Other than art, craft, music, and food, the festival includes some family activities too.

End of the Road Announced the Biggest Lineup of Artist and Theater Acts for 2018

Though the month is about to end but that does not stop our favorite host “The End of the Road Festival” to make this ending a memorable one. The End of the Road hit the town again for a wonderful weekend full of music, food and many more events to have the best times of our life. The Festival is taking place from 30th August to 2nd September at Larmer Tree Gardens and the organizers have revealed the stack of artists and food as well as theater line up for the 2018’s edition.

The festival is full of fun activities that include theater and lots of food items. Following is the lineup for the theater acts that will be performed this year.

End of the Road 2018 Theater Lineup:



La Chinoise, Suspiria, Belladonna Of Sadness, This Unfortunate Thing Between Us


American Psycho, You Were Never Really Here, Lost In Translation, Fish Tank, Wasp, Please Give, Tomboy, Persepolis, The Danish Poet, Big


*Mystery Film*, Dig!, Lady Bird, The Florida Project, The Princess Bride (Quote-Along), Cinema Paradiso, Isle Of Dogs, A Close Shave (U) w/ Senior Model Maker Q&A, The Wrong Trousers


*Mystery Film*, Hellraiser, The Music Videos Of Spike Jonze, Heathers, No Fun City, 20th Century Women, Boy, Mary And The Witch’s Flower, Steamboat Bill Jr.

Like always there is a big list of food vendors and famous restaurants offering  their services and providing the festival goers with variety of food items this year’s host include Wholefood Café, Bangkok, The Little Green Trailer, Rac Shac, The Goan Seafood Company, Happy Maki, Pizza Tabun, Made Of Dough, Beavertown Brewery, Bear Tavern, The Black Crow, Peacock Bars, The Badger Inn and Cider Bus.


End of the Road 2018 Full Lineup:


Vampire Weekend, St. Vincent, Feist, Yo La Tengo, Ezra Furman, Jeff Tweedy, John Cale, Fat White Family, White Denim, Oh Sees, Gruff Rhys, Julia Holter, Mulatu Astatke, Ariel Pink, Big Thief, Josh T. Pearson, Wild Billy Childish & CTMF, Destroyer, Omar Souleyman, Titus Andronicus, Hookworms, Idles, Shame, Alex G, James Holden and The Animal Spirits, This Is the Kit, Ice Age, Jonathan Wilson, The Low Anthem, Protomartyr, The Posies, Soccer Mommy, Julien Baker, Hiss Golden Messenger, Damien Jurado, Sunflower Bean, Lucy Dacus, Shannon and the Clams,  Amen Dunes, Imarhan,  Japanese Breakfast, STEALING SHEEP SUFFRAGETTE TRIBUTE, The Limiñanas, Richard Dawson, Beth Jeans Houghton, Warmduscher, Moor Mother, Jim White, Flatworms, Lost Horizons, Colter Wall, Tirzah, SHOPPING, Jan Bas, The Weather Station, Adrian Crowley, Nilufer Yanya, Sweet Baboo, Darren Hayman, Gwenno, Insecure Men, David Thomas Broughton, DUDS, Snail Mail, Kiran Leonard, Cut Worms, Erin Rae and the Meanwhiles, Caroline Spence, Samuel R. Saffery, Snapped Ankles, Haley Heynderickx, Josienne Clarke & Ben Walker, The Orielles, Boy Azooga, Marc Riley DJ, Daniel Blumberg, Screaming Females, Anna Burch, AK/DK, Penelope Isles, Creatures, Red River Dialect, Warhaus, Tiny Ruins, Laura Misch, Stella Donnelly, Amyl and The Sniffers, Saba Lou, JF Robitaille & Lail Arad, Powerdove, Honey Harper, The Scorpios Zimpel / Ziolek, ZULUZULUU, Plastic Mermaids, Martin Kohlstedt, Hater, A. Wesley Chung, Stevieray S Latham, Suggested Friends.

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